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Hydrophytes - 4D Printing from Nicole Hone on Vimeo.

Hydrophytes are futuristic aquatic plants created with multi-material 3D printing. They are part of a master’s research project focussed on designing and choreographing movement through 4D printing. The film is true to life with no effects created in post-production.

Nicole’s portfolio: nicolehone.com

Featured on:
Designboom designboom.com/design/tangible-animation-nicole-honehydrophytes-09-04-2018/
Colossal thisiscolossal.com/2018/09/hydrophytes-by-nicole-hone/?source=blogsjustin.com
More 3D printing research from the School of Design, New Zealand made.ac.nz

cut_intro_grassland from Nithirath Chaemchuen on Vimeo.

Suzhou Shishan (Lion Mountain) Park - English Version from TLS Landscape Architecture on Vimeo.

“NUESTRO DÍA INMORTAL” (Our immortal day) from Jordi Estrada on Vimeo.

DRECK MAG PREMIERE dreck-mag.com/2017/01/09/dreck-is-premiering-our-immortal-day-a-film-by-jordi-estrada/

Nuestro Día Inmortal (Our Immortal Day) | 2016

Director | Jordi Estrada
Director of Photography | Lluis Ferrer
Art Director | Mimi Margalef
Production Assistant | Paula Capdevila
Make Up | Jen de la Cruz
Music | Algodón Egipcio
Sound | Arturo Arias
Featuring | Kämäl Möhänd
Llorenç Licona
Guim Puig
Nikita Wolfe
Manel Muñoz (voice)

A Letter to Congress from Christopher Newman on Vimeo.

I originally set out to make this film as a homage to Wallace Stegner and the enduring words he wrote in his famous ‘Wilderness Letter’ to Congress in 1960. His poetic appeal for robust and comprehensive conservation efforts of America’s wild lands gave me pause. In this current political climate his words began to take on new meaning. His plea for what wilderness can do for us is more relevant now than ever. Thousands of acres of our remaining public lands are threatened everyday. We need to stand together to protect America’s wild lands from being sold off to the highest bidder. We must preserve wilderness as a “means of reassuring ourselves of our sanity as creatures, a part of the geography of hope.”

Watch the film and take action:
hipcamp.com/action

Special thanks to Avocados & Coconuts, Hipcamp and everyone that contributed their amazing talents to making this film.

Read the full letter and learn more about Wallace Stegner:
wilderness.org/bios/former-council-members/wallace-stegner

Produced by Avocados and Coconuts - avocadosandcoconuts.com

Director: Christopher Newman
Producer: Dalia Burde
Creative Director: Amani King
Production Coordinator: Bijan Rafie-Tari
Editor: Dana Shaw
Directors of Photography: Keenan Newman, David Bourke, Matthew Rome
1st AC: Troy Dickerson
Additional Footage: Devin Whetstone, Skysight, Kate Arizmendi
Water Camera: Stephen Amato
Aerials: Drew Kass
Sound Recording: Luiza Sá-Davis
Music by Daniel Hart
Color: Chris Martin (Mission Film Design)
Sound Mix: Chris Konovaliv (Audiolux)
Post Producers: Jess Manning, Angie Golden Henry

Special Thanks: Mendocino Magic, Oz Farm, Salmon Creek Ranch, Mackenzie O’Donnel, Anu Adeboje, Sarah Felker, Leah Hefner, Cooper Kenward, Gaby Scott, Fritz Jacobs, Natalie Vall-Freed

Shan Shao TU Delft Msc Landscape Architecture Graduation Presentation Trailer from Shan Shao on Vimeo.

From Infrastructure To Flowscape-The Houtribdijk as an operative landscape structure

Invest in Green Infrastructure from Room60 on Vimeo.

Green Infrastructure (GI) is an approach to land use that emphasises multifunctional and connected spaces, underpinned by the recognition that many benefits are generated by natural ecosystems.

Invest in Green Infrastructure is produced by the Landscape Institute - UK. It is aimed at inspiring local decision-makers and communities to make the most of their land, while helping wildlife to flourish, reducing flood risk, providing green open space for all, and delivering a wide range of economic, health and community benefits.

Find out more at landscapeinstitute.org/gi

Landscapes of Power from Daniele Profeta on Vimeo.

Remote sensing technologies are altering our perception of the Landscape.
A new set of images, a digital record of the physical surface of the earth that shapes our relation with the territory.
They establish politics, protocols and economies.
These images and the meta-data that they contain become our space of investigation to affect the environment and its thick fabric of relations.

In Guatemala, digital simulations become an advocacy tool to describe the system of violence exerted through the landscape by an energy infrastructure plan.
A pattern of displacement as a continuation of colonial strategies to maintain a system of power over territory, resources and ultimately people.

Chixoy Dam 1976-1983
Xalala Dam 2014-2020
A retrospective study and a projective future simulation to expand the borders of resistance.

Project by Daniele Profeta, as part of the BRAVE NEW NOW studio at Princeton Fall 2014.
Tutor: Liam Young
Special Thanks to:
Jamon Van Den Hoek
William Trossel and SCANLAB
Resistencia de los Pueblos
Alexey Marfin